I’ve been invited to deliver another CIAD, Costume Institute of the African Diaspora Exchange talk. This time I’m focussing on my wonderful Winston Churchill Travel Fellowship in Nigeria, where I studied indigo dyeing techniques amongst Yorùbá artisans. Àdírẹ is the Yorùbá word for the resist dyed cloth made in Yorùbá towns in Nigeria. The cloth functions both as an aesthetic expression and a means of communication, offering a deep insight into Yorùbá religion, culture, folklore, and history. The talk includes short videos, photography, and music.
The event will be held at London College of Fashion, Rootstein Hopkins Space, 20 John Prince’s St, London W1G 0BJ. 5 mins walk from Oxford Circus Tube Station. Tickets are only £3 to cover refreshments but booking is essential.
Like many textile artists I find enjoyment and inspiration in a diverse range of creative expression including music and graphic illustration. Today I popped into the Victoria and Albert Museum to attend a talk, part of their Art and Existence: African and Asian Diaspora Explored series. These talks feature leading external practitioners and are organised by a wonderful lady Janet Browne, Programme Manager Black Heritage and Culture within the V&A’s Learning Department. Contact Janet at the V & A if you want to be added to her mailing list for future events.
Todays speakers were cultural practitioners Christopher Bateman and Al’ Fingers Newman. Their talk was a celebration of the work of Jamaican newspaper cartoonist Wilfred Limonious, (1949-1999).
In the early 1980s Jamaica gave birth to a new musical style called Dancehall. With its origins in the political turbulence of the late 1970s it became the dominant and powerful musical expression and social commentary of the 1980s and ’90s. “This multimodal African diasporic style is also evident in North American hip-hop and the origins of both can be traced to West African performance modes”. (1)
Graphic designer Wilfred Limonious became one of the primary visual architects of this movement.
What an enjoyable way to spend a sunny London afternoon, the talk included music, photographs and some of Wilfred’s illustrated record sleeves and his vibrant cartoons often featuring voluptuous ladies with very slim men and humorous captions. In Jamaica humour is widely used as a mechanism for dealing with hardship. The talk is accompanied by a touring exhibition and coffee table book In Fine Style: the Dancehall Art of Wilfred Limonious. You can catch the exhibition at the Tabernacle, 35 Powis Square, off Portobello Road, London W11 2AY until Sunday 29th May 2016. The book is out on 16 August 2016 published by One Love Books. I’m pleased to say the talk and exhibition will be touring Jamaica in the future.
(1) Professor Carolyn Cooper’s Encyclopaedia Britannica entry for Dancehall Music
I’ve been working on some interesting proposals and have some very exciting news which I’ll share with you soon.
In the meantime I’ve been invited to give a lecture at the next spring exchange of the Costume Institute of the African Diaspora, CIAD which is dedicated to researching the history and culture of clothing and adornment from Africa and the African Diaspora. Their research is disseminated in various forms including the CIAD Exchange lecture series, an exchange of information and ideas over a two hour event, consisting of a one hour lecture followed by networking, discussion and drinks. You can find out more about their research through their website CIAD
My lecture will focus on my ongoing explorations of Yoruba indigo dying practices and my new research of Jamaica’s Georgian indigo plantations. The event will be held on Friday 8 April 2016 6:30pm – 8:30pm at London College of Fashion, Rootstein Hopkins Space, 20 John Prince’s St, London W1G 0BJ. 5 mins walk from Oxford Circus Tube Station.
Tickets are free but seating in the lecture theatre is limited so booking is essential Book Here